![]() ![]() ![]() To create the impression of fresh battle damage, a few fresh metallic chips were strategically added. When mixing up oils or pigments, it’s better to work on several vehicles at once, especially when focusing on army building rather than individual models.įor the Ultramarines, the process involved acrylic chipping, followed by oils and a light airbrushing of thinned Tamiya flat earth to simulate a layer of dust along the lower third of the vehicles. It’s a clever trick that effectively masks different palettes and proves to be more efficient. Enough to get some good games in and a potential start to something bigger maybe.Įven though some of the vehicles were painted months earlier using a different method and palette, what helped tie everything together was the weathering. Supporting the Venator are a pair of Rhino transports and a Deimos Scorpius, along with all the infantry and Dreadnoughts that entails. ![]()
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